I've always been wary of matching upholstery to curtains (or to wallpaper). For one, the practice strikes me as dated, having generally gone out of vogue around the time the first George Bush left office. But, as with fashion, what goes around invariably comes back around in the world of interiors -- and, as we all know the 1980s are back. And so, I'm starting to rethink my traditional bias. In the right hands (and with the right pattern), matching patterns on walls, windows, and/or furniture can make a bold, confident statement.
The look is undeniably "decorated" -- more in the vein of David Hicks or Dorothy Draper than most modern decorators -- but why are so many of us painstakingly decorating our spaces to achieve an "undecorated" look? It's not unlike the "no makeup-makeup look" or spending gobs of money on clothes that make you look like you just rolled out of bed. Why not buck the trend to look "undone"? Why not match? Of course, matching can be just as hard as mixing, but I've pulled together a few photos from some of my favorite interior designers to inspire you.
To quote Jonathan Adler in "My Prescription for Anti-Depressive Living" (the most enjoyable "design" book ever): "Take your bedding to the limit. Luxuriate in matching linens, drapes, headboards, and pantsuits." Pantsuits aside, I'm fairly certain decorator Katie Ridder took JA's message to heart. Why not match your pillow to your walls and then take it up a notch with a matching half-canopy? To paraphrase JA himself, "be a maximalist!" You're preaching to the converted, JA....
Photograph courtesy of Jonathan Adler
Speaking of Adler, j'adore this kitchen he designed -- especially the way he carried the fabric from the bar stools to the banquet, and even to the light fixtures! Such a great touch; very "happy chic". I also love how the more traditional fabric (in a very mod hue) manages to warm up an otherwise very modern kitchen. Indeed, Jonathan Adler, who might as well be a direct descendant of David Hicks, is a mater at matching (and at mixing for that matter...but that's another post). Moreover, his matching manages to come off as more modern than traditional, primarily as a result of his fabric choices, which tend to be rainbow-brights that are more graphic than fussy.
photograph courtesy of Phoebe Howard
Like monogramming any spare pillow, I've always thought that repeating the same fabric throughout a room was a very Southern way to design a space. If you've ever spent much time touring old plantation homes around Charleston or Savannah, you know what I mean. Atlanta-based decorator Phoebe Howard probably best exemplifies this aspect of "Southern Style"; in fact, if Adler is the King of Matching, I'd have to anoint Phoebe is queen. Because I can't get enough of PH right now, here are two more examples of her work:
I think the key to Phoebe's success is keeping the color palettes minimal -- the matching patterns are the stars here, not the array of color. Additionally, her rooms each include a secondary fabric (either a strong solid or a larger print) that coordinates with the primary fabric, but does not "go" perfectly, thus adding an unexpected element of liveliness to an otherwise subdued (and what would otherwise be overtly coordinated) space. Also note how by matching her curtains to her wallpaper in the last picture, Phoebe reduces the contrast level and manages to create the illusion of the walls flowing seamlessly into the windows.
As with any bold statement (be it in fashion or interior decorating), it can be difficult to walk the line between edgy or avaunt guard and just plan ugly. Sometimes it's simply a matter of just too much of a good thing, and sometimes the entire idea was a bad one from the beginning. Domino -- may it rest in peace -- certainly featured it's fair share of rooms illustrating the disastrous effects of matching patterns. Perhaps they intended it as a word of warning?
domino, February 2008
Quite honestly, this room is probably my least favorite room ever to appear in domino's four years of existence. It's the fashion equivalent of pairing a leopard-print dress with leopard-print pumps and a striped handbag: sure, the striped handbag is different, but it doesn't really balance the effects of the leopard-print dress and shoes. To avoid having your room look like Lisa Rinna lives in it, I'd suggest keeping the animal print as an accent pattern: a zebra pillow or a cozy cheetah-print throw. More than that and your room will either start to look like a safari...or a brothel -- two looks best avoided.
domino, April 2008
Normally, I think Peter Dunham (who designed the room pictured above) is a great designer and I covet many of his rooms, but this is just way, way, way too much toile and the overall effect is far too fussy with the skirted chair, feathered (!) lamp, and intricate bamboo daybed. Perhaps if the style of the furniture was cleaner, this would work better. ...Or maybe I just really don't like that much toile. [By the way, the fabric was supposedly initially designed for Jennifer Garner...I would've guessed someone more like Shirley MacLaine.]
domino, February 2008
I wouldn't suggest looking at this one too closely, you may get a headache. Perhaps the genius in this space is that the pattern manages to be so loud, so insane that you don't immediately notice the fact that there's a skinned lizard (or is it a gator?) on the wall, a zebra pelt on the floor, and large Christmas-tree ornaments in front of the fire place.
So what are your thoughts on these spaces? Can matching ever work? If so, have you tried it at home?
Johnson Foster, Zebra Trophy (2005)
