"Simply bragging . . . "

This is the review of the opera (Dido and Aeneas) that we're performing this weekend. Wow. I've been in tons of productions . . . and you never quite know what it actually looks like from the audience - but, this is one of the best reviews I've ever read from one of our shows. I'm so proud to have been involved in such a great production.

"The last line in the program for Urban Opera's Dido and Aeneas, is "If you like what you see, please make it a point to thank them [the performers]." Since I didn't get a chance to do so at the performance's conclusion, I'd like to publicly thank the entire cast, crew and theJubilate Baroque Orchestra for putting on a damn fine show. It's easy to be skeptical about the promise of a small company in a big town, but Urban Opera's first time outing was more successful than it had any right to be.

To begin with, staging an opera outdoors is a risky proposition under the best of circumstances. When I woke up this morning and saw the customary summer fog, my thoughts turned to my plans for this evening and a voice in my head said this is going to be a cold and ugly night.Sometime in the early afternoon Zeus decided to smile on this company, and the weather made an about-face so surprising I'm not sure I've ever witnessed one like it in the years I've lived here. The weather was perfect. The setting was fantastic- with the Bay to the left, a green lawn spread before us, complete with a twisting, mirrored sperm-like twisted French Horn (the 70's kind) sculpture somewhat resembling the city of Chicago's "Bean", tall bamboo fronting the buildings framing the space and uncanny acoustics for being outdoors in the City, I walked into the performance space and thought- hmm- this looks pretty promising.

But enough of all that- there was opera to be performed, and that was why I was there.

The production begins with a voluptuous Venus in a red dress (Margaret Marshall) and a straight-from-the Playa Phoebus (David Peterson) providing a prologue to bring the audience up to date on what happened in Virgil's version of the story before Purcell's opera begins. Following this, during the overture, the chorus and principals perform a ballet/ pantomime of the fall of Troy and the subsequent chaos in an effective yet succinct way. Particularly striking during this was the evident commitment of the cast to actually act- their faces looking stricken and panicked as they fled across the outdoor space. From that moment forward it was easy to fall under the sway of what unfolded before the audience.

While the entire cast was solid across the board, Kindra Scharich(Dido), Kimarie Torre (Belinda) and Cortez Mitchell (the 1st Witch) truly stood out with terrific vocal and theatrical performances. Milissa Carey was an alluring and, to put it bluntly, highly enticing Sorceress. Purcell didn't give Aeneas too much to work with, but Todd Wedge brought a sensitivity to the role that worked.

The Urban Opera Chorus had some challenging choreography to execute during the evening, which they handled well and their singing was beautiful.

So this is the bottom line: I don't know if we'll ever see another production from this team, led by Chip Grant and Kue King, but I hope we do. There is a dedication and imagination on display in this production from every corner that really impressed me. You have two more chances to see it this weekend- so get yourself a ticket. This really is urban opera- and it's something different, sophisticated and well worth your time."

Mark Rudio, San Francisco

I now return you to your regularly scheduled Sunday morning,

tartanscot

From: "The Ambassador Roams High and Low"

"O, Sweet and Joyous Blogspot . . . "

" . . . how I have missed thee."

Good morning all,

Sorry I've been a bit 'radio silent' for the last week or so . . . the good news is that business has been really great, and the opera production was a blast.  The draw-back was I seemed to have almost no time to blog . . . either reading or writing . . . lol.

But, I'm feeling all bright and shiny this morning (just home from a great workout), working from home today,  and thought I'd share some of these amazing bright, perky interiors that I found digging around in my image files.

I traditionally don't use very much yellow in my design work, but these beautiful rooms are making me rethink that position.  Seriously, how beautiful is this elegant room?

And I always love the addition of a graphic zebra skin, just to keep things interesting.  And the dark woods and chocolate velvet just adds to the drama.

I just read somewhere (please don't ask me to try to find it at this point . . . sorry) that yellow is on track to be the next big colour in design for Spring 2010.  Maybe we should all get ready to live in a much more bright, shiny world . . . yay.

I should be getting some proper images from the opera production and I'll post them as soon as they are available.

I'll take Susan's advice (from the first comment) and ask - what interesting talent or hobby do you love.

I'll go first - I sing opera and fence.

"Mi, mi, mi, mi, mi . . . "

Good morning,

I'm getting a really slow start here this morning and it's all Verdi's fault. As I've mentioned before, I've been singing with the men's chorus of the San Francisco Lyric Opera for about 5 years. It has always been a fun company to work for - but, I usually only do about 2 shows a year. It's a huge time commitment and usually requires about 90 - 150 pages of Italian (or French) text to memorize. Part of this spring's repertoire features G. Verdi's Rigoletto and I'm *totally* on board for this one - and just to make it better, it's got a great twist. Instead of placing it in it's traditional Italian venue, we're setting it in Chicago during prohibition. It's going to be quite fantastic. There nothing like a good 1930's mafia war set to Verdi's fantastic score.

But my mind wanders, mainly from lack of sleep (a late tech rehearsal last night), a bad night's sleep (from a twisted ankle acquired during the fight scene at the aforementioned tech rehearsal last night), and from the busy day I have before gathering at the theatre for tonight's dress rehearsal. The good news: I have a great costume (a navy pinstripe DB mobster suit) and - it fits. seriously, it's actually even kinda comfortable . . . lol.

Are there any other opera fans out there? What's your favourite opera and why?

And if you're in the Bay Area . . . Come out and see us this weekend. We open on Friday night.

back to studying my score! (and designing decorative pillows and window treatments!)