
Designed by architect Christopher Pillet. Christopher, may I borrow your brain for a moment?
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Image from Elle Decor March 09
Chef Babs
If you are anything like me, then you appreciate nothing more than a simple, good recipe. While I admit that I love the Food Network and often watch in awe as Mario and Emeril whip up something exquisite, I must admit that whenever I attempt these more complicated dishes I am left thinking that it was probably not as good as the time it took me to make it. Food for me is a hobby, not a profession and I find that the recipes that I repeat are the dishes that are delicious, not too complicated with the ingredients, and take me an hour-and-a-half (maximum) to make. During the week, I prefer 45 minutes or less. When it comes to baking, I find that simple is always best and that a shortcut here and there often improves the outcome, though I'm not one for the semi-homemade results of a certain Food Network star (*ahem* Sandra Lee). Besides, I wouldn't know how to make a tablescape to save my life.
We celebrated my mother’s 60th birthday on Wednesday and, while the formal party isn't until this weekend, I did make her a special birthday dinner. This recipe is healthy, fairly easy to prepare (though it is a little more fussy than I would do on a regular week night), and is a great go-to recipe for an informal dinner party or a romantic night in. (Note: this recipe serves 2, so double for a family of 4). It is a recipe from Cooking Light, so in order to give them full-credit, I am attaching a link to the recipe rather than simply copying it here. Tip: Substitute fat-free half-and-half for the heavy cream. The recipe only calls for two tablespoons, so no one will notice the missing fat and you'll get the same rich, creamy texture.
http://find.myrecipes.com/recipes/recipefinder.dyn?action=displayRecipe&recipe_id=1842344 
I'm not particularly familiar with Gareth Pugh. In fact, I don't think I'd ever heard of him until Beyonce started sporting a lot of his outfits in her recent tour as Sasha Fierce. [Aside to all the singers out there: You really need to stop touring as alter egos of yourselves, it didn't worth for Garth Brooks and it won't work for you.] On the Fall 2009 runway, Pugh's models sport the same undead make-up as McQueen's, but his get-ups are equal parts The Cure and Mugatu's Derelicte fashion label from Zoolander. There's also that vaguely futuristic vibe that Pugh is known for (that is assuming of course that in the future we won't have any sewing machines and are forced into wearing old auto parts and mangy animal fur). Let's hope that leggings, chain mail and yeti pelts aren't the next big things in menswear. That said though, I think Pugh would be a great choice to outfit Orgy (whose Wikipedia page hilariously describes them as "death pop") should they get it together and decide to tour again in the near future.


Clearly, Galliano has been watching way too much HBO recently as he appears to have been drawing his inspiration from John Adams, Pirates of the Caribbean and Pan's Labyrinth. Except that John's HBO is set in an alternate reality where everyone is undead and mostly naked. Highlights for me from this show: (1) Galliano's riff on "sexy judge" complete with barrister wig, open robes and thong, (2) the chest make-up on the satyrs, which is pretty spectacular -- the make-up guy for this show really ought to consider a career as a make-up artist for Broadway, and (3) the wigs; oh the wigs (I particularly like what can best be described as the dead rooster the pirate is sporting as hair)!
Looking at pictures of these shows got me thinking: Have fashion designers strayed too much from "fashion" in an effort to really put on a show? Sure, these outfits are pretty entertaining, but they really don't perform their intended purpose as realistic clothing options for me. Any thoughts?







Good evening faithful reader,
Wow. I just love what architect William T. Baker and interior designer Suzanne Kasler have done for this gracious home outside Indianapolis. The space just feels so calm and serene. And the simple, clear colour story certainly assists towards that goal. Who wouldn't want to face the day after waking is this spectacular bedroom?
I also love when I see an 'iconic' element that I've used in one of my own projects, such as the whimsical twig light-fixture used here over the family room's dining table.
And here it is again, in all its holiday glory, from a client's home in Lake Tahoe photographed last Christmas.
For letterpress and design lovers:
Lovely Birds letterpress cards by Tara Hogan ($12/set of 5)
For anyone who remembers when its Peanut Butter Jelly Time:
You're the PB to my J letterpress card by SarahMarieDesigns
($4.50/single card) [Now 25% off -- enter "VAL2009" at checkout!]
For anyone allergic to pink:
Love you bunches letterpress cards by OrangeBeautiful
($16/set of 6) 
For your unsentimental (and very existential) friends:
This is Not a Valentine cards by Michelle Brusegaard
($8/set of 4)
For all your single (and bitter) girlfriends:
For anyone that deserves a personalized greeting:
For your daughter or niece (or anyone else who's cute enough to eat):
For your stylish shopping partners:
When you have a lot of love to give (like, say, to an entire classroom): Mini Folk Art Valentines by Nouveau Designs
This is making the rounds today on all the home decor-related blogs, but if you haven't heard the news already, domino is folding. I was sad to lose Cottage Living, O at Home and Blueprint, but this one really will leave a hole in the world of shelter magazines since it's one of the few American design publications that focuses on decorating for "real people" (i.e., those of us who can't afford to hire interior designers or spend $10,000 on a sofa). Everyone else sad to see it go? I always thought the magazine was extremely popular (but then again, I think I'm the targeted demographic), so I'm pretty surprised insofar as I thought other shelter mags would go first.*


Brass Lightolier (pair) Two-arm sconces from Paul Marra

From Novecento
But it would look SO amazing as an accent piece in an otherwise modern room...
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